37 Newtown Lane East Hampton, NY 11937 United States 516.547.8965
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$ 29,500

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Origin United States
Period 2000-2018
Materials Acrylic on canvas
W. 60 in; H. 54 in;
W. 152.4 cm; H. 137.16 cm;
Condition Excellent.
Creation Date 2010
Description Marjorie Strider is seminal first-generation pop artist. Strider emerged on the New York art scene in the mid-1960’s when her carved and painted wood panels of 3-D girls in bikinis were shown in the Pace Gallery show entitled “The First International Girlie Show”, which also included paintings by Andy Warhol, Roy Lichtenstein, and Tom Wesselman.

Strider had her first solo show at Pace Gallery. Following the show, Pace Galleries dubbed her the inspiration for “The First International Girlie Show” and gave her numerous one-woman shows.

The artist’s oeuvre has been the subject of extensive art critical writings, including a monograph entitled “Dramatic Gestures,” by Donald Kuspit and Raphel Rubinstein, published by Hard Press Editions (2004); Lucy Lippard’s “Pop Art” (1966); John Wilmerding’s “The Pop Objective” (2013) written for the show of the same name at Acquavella Gallery; Jon Yau in “Independent Spirit” (2011); “Seductive Subversion” by Sid Sachs (2010); “Pop Art: 50 Works You Should Know” by Gary Van Wyk (2013); and “Who are the Great Women Pop Artists” by Kim Levin in Art News(2010, with Strider’s work featured on the cover).

Marjorie Strider is the recipient of major grants and fellowships including the National Endowment for the Arts, and Pollock/Krasner Foundation (2009), and her work may be found in public collections including: The Albright-Knox Gallery, Buffalo, New York; The Solomon R. Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington, DC, Indianapolis Museum of Art, Indianapolis, Indiana; McNay Art Museum, San Antonio, Texas; and the Wadsworth Athenaeum, Hartford, CT, among many others.
Styles / Movements Color Field, Conceptualism, Pop Art
Incollect Reference Number 249631
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